Love in the Land of the Lost
The book pulled me in and kept me there, until last night when I turned the final page. Eleven Minutes by Paulo Coelho is a haunting story about a young girl from the backwaters of Brazil who seeks love in all the wrong places. She lands in Geneva, Switzerland, a place I know well. My heart broke there — several times; and so did hers. Despite the floral clock and the water and the banks, Geneva was a lonely place for us both.
The protagonist’s search for love is akin to most anyone’s experience. Sustainable love can only come when we reach inside ourselves and realize we are the generators of our own joy. When we love without clamoring, we are set free. She was willing to let her deepest love go because she knew that her attraction to his beauty stemmed in great part from the freedom she felt to leave.
Coelho’s own story fascinates me too. At the tender age of seventeen, his parents put him in a mental institution — twice — claiming he was mad. But his spirit and his creativity were not broken. He followed his path, discovering much later in life that he could indeed find expression for all those thoughts inside.
Coelho reminds me of Sebastião Salgado, another Brazilian artist whose breath-taking photography will leave you hungry for more. Much like Coelho, Salgado found the way to his art form later in life. After moving from Brazil to Europe, he decided to leave his well-paying corporate job in Paris at the age of 30 to do photography instead.
Wim Wenders’ documentary film The Salt of the Earth, which I recently saw with my love at the theater, is an epic narrative about Salgado’s journey as a photographer. He travelled to the farthest reaches of the Earth to document the human condition. When he finally landed in Rwanda during the mid-1990s, he lost all faith in humankind and stepped back from the subject of man. Later he discovered Nature and rekindled his belief in the universal goodness of life.
What struck me most about his life’s work was the support his wife gave him throughout all those years of travel. Raising two children in his absence must have been hard, but she understood his need to do what he did. She, like Coelho’s protagonist, was willing to let him go time and again.
The result is a collection of amazing imagery for which our world would be poorer if Salgado hadn’t followed his calling.
Love is what makes art possible. See for yourself.